Tuesday, 7 October 2014
We heard today the very sad news that the photographer Clive Egginton has died, and our thoughts are with his family and friends.
We worked with Clive on a number of projects - he documented the rehearsal process for What I Heard About the World and The Life & Loves of a Nobody as well as taking some production shots for The Machine.
Clive originally approached us about documenting the making of a show for the great Archive Sheffield project. I've just been looking through the photos of that process on Clive's Flickr pages, trying to choose a photo to put with these words.
I chose the photo above because we're just getting on with it - it's a set production meeting - we were a bit behind by this stage, and we might even have forgotten Clive was there. Because that's how he did it. He was relaxed, good humoured - it was always a pleasure to see him when he turned up, and he was always happy to talk, always interested in what was going on. And then as our thoughts turned back to the job in hand, he would just slip into the background, unobtrusive, and get on with his work. And then he would produce all these great images.
There's a Just Giving page in Clive's memory here, raising funds for Weston Park Hospital Cancer Charity.
And there's more here about Clive himself and the remarkable Tactile Image project, an incredibly moving tribute for a photographer losing his sight, and a great example of something positive coming out of a terrible situation.
I only really knew Clive through work, but I will remember him fondly. He was good company, a pleasure to have in the room with us, always interested, and interesting. A generous man, who took a damn good photo. A story teller.