This was written midway through the Edinburgh Fringe, for the British Council's Edinburgh Showcase blog.
Postcard from
Edinburgh
There comes a point when you’ve been in Edinburgh during the
festivals for a few days when your body clock separates from the calendar, from
the days of the week, and you don’t know when you are. The marker in the week
isn’t the weekend anymore, it’s your Day Off. And, er, I haven’t got any of
those this year. But in a good way.
As we knew it was going to be, 2013 is proving to be our
busiest Edinburgh Fringe so far. It’s going extremely well, though – our best
Edinburgh Fringe ever I’d say. Cape Wrath is sold out for it’s original run and
we’ve had to put in extra shows for the final week. The audience response has
been genuinely moving, and I’ve been really touched by their attentiveness, and
the conversations people want to have afterwards.
A Conversation With My Father has just opened and is also
going well – the piece suits the intimacy of the space at St Stephen’s and Hannah
has really hit her stride here. Again great feedback and interesting
conversations afterwards.
And then there’s The Bloody Great Border Ballad Project,
which is a pleasure to be part of. A beautiful, rambling, exploratory
celebration of an evening: music, song, story and debate. Inspired by the
possibility of Scottish Independence, the varied contributions from some
brilliant regular and guest balladeers, combine to create a fascinating and
joyous discussion about the nature of borders themselves.
Which you would think is plenty to be going on with, but
here we are, the island that is the weekend before Week 3, and there are two
more shows to get up and running. The Desire Paths is our contribution to
Northern Stage & Forest Fringe’s Make. Do. And Mend. event which will be an
exploration of the routes we take habitually or by choice, and the idea of naming
one thing after another.
And slowly moving from the back of my mind to the front is
preparing for What I Heard About the World. This weekend I’m making five litres
of fake blood, five cardboard planes, and buying wick for Molotov cocktails.
Craig and the venue tech team are working out the logistics of how best to prep
a 9.30am show. Rachael is back from holiday and gearing up for a week of
Showcase networking. And Jorge, Chris and I will all be telling ourselves
stories, separately, before we bring them back together for Monday’s get-in.
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