[Quick reminder: you'll find the application pack here. I'll leave you to it now...]
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Hello everyone!
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Hello everyone!
Thanks
for stopping by. It’s Liz here, current
Admin & Production Trainee at Third Angel.
I came
to this position last summer fairly fresh from a BA in English Literature and
an MSc in Creative and Cultural Industries Management from the University of
Sheffield, via a lot of student theatre, a fair whack of filming work, and a
job in telesales that I’m leaving very firmly in the past (!).
It’s
pretty difficult for me to describe what my job typically looks like day in,
day out. As most people working in small
arts organisations would tell you, no two days are the same, certainly no two
years are the same, and so the next trainee will likely have a very different but
equally valuable experience to the one I’ve had. However, broadly, the responsibilities of the role straddle the 2 areas of
administration and production – I guess the clue is in the name of the position
really!
On the admin side (and there is a lot of it), I am responsible day-to-day bookkeeping for the company, recording data for Arts Council England reporting such as environmental data and audience figures, collecting and recording audience feedback, minuting meetings and communicating with our Board. Over on the production side, I usually book all travel, accommodation and generally manage logistics when we’re on the road, fight fires when they crop up, draw up schedules, research and buy props etc, read over and draw up letters of agreement, and lots more. Every show is different meaning that describing production is tricky, but I can safely say that it certainly isn’t dull, and I can promise you’ll be surprised at the breadth of what you’ll end up doing.
On the admin side (and there is a lot of it), I am responsible day-to-day bookkeeping for the company, recording data for Arts Council England reporting such as environmental data and audience figures, collecting and recording audience feedback, minuting meetings and communicating with our Board. Over on the production side, I usually book all travel, accommodation and generally manage logistics when we’re on the road, fight fires when they crop up, draw up schedules, research and buy props etc, read over and draw up letters of agreement, and lots more. Every show is different meaning that describing production is tricky, but I can safely say that it certainly isn’t dull, and I can promise you’ll be surprised at the breadth of what you’ll end up doing.
And
what I am I taking away from my time here? From deeply practical skills such as
bookkeeping, to logistics management, to more intangible things like a better
understanding of the theatre ecology of the UK and how theatre works as a
business, I will be leaving with a wealth of knowledge which I really don’t
think I could or would have accessed any other way. I’ve also had access to networks and training
I’d never have been able to connect with or afford without the organisation’s
support and every session, meeting or conference helps in setting me up to move
forward successfully. (As a note: Third Angel are currently a resident company
based in Sheffield Theatres, and quite how much you pick up about the workings
of a large building simply from being within the four walls is really
remarkable - another bonus!)
I feel
extremely lucky to have had this opportunity and I really can’t emphasise
enough what a fantastic organisation Third Angel is to work for and how much of
a professional pleasure the last year or so with them has been. The team are so
supportive, truly want you to succeed, grow and develop, and will absolutely do
their best to make this position suit who you are and where you want to be. I think that it’s a very real shame that so few organisations offer opportunities
like this, so if you’re on the fence about applying, don’t be, you don’t want
to miss your chance.
I’m not
100% sure what’s next for me (that’s all part of the adventure, right?!), but I
feel prepared, excited and really ready to tackle whatever comes my way.
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